Clown Wall, 2019

Solo Exhibition, Absolute Art Space, Tainan, Taiwan

November 30, 2019 - January 5, 2020

A text-based performance, a video, objects, costumes and ready-mades which had formed the interiors from Haslund's ‘live and work space’ during her three month residency as well as outcomes of two workshops that Haslund held with students from Taiwnan National University of the Arts, were part of the exhibition.

The performance Clown Wall, 2019 
Haslund's performed Clown Wall (same title as the show) during the opening of her solo exhibition in Tainan. Hidden behind a wall with holes for her eyes, nose, mouth and right arm, she reads short texts with facts about her home country and about the time she has spent in Tainan. She touches on themes like the merging of the private and professional life of the artist and art as a commodity, but also shares her observations as a newcomer to the city and thoughts on the dual role of the mask in the contemporary political context of the region. Reflections on intercultural encounters, language barriers and being a foreigner are brought home every time the story – section by section – is stopped to allow Haslund’s local co-performer to translate into Mandarin via small signs they pass to each other. The performance ends with Haslund inviting the audience to don one of the exhibited porcelain clown’s noses or masks and join her on a walk around the neighbourhood. An act that ties the threads of the narrative of alienation and community together through a collective experience of vulnerability in public space. Excerpts from the performance text below.

Hello, Do You Have a Mask?, 2019
In the video work Hello Do You Have a Mask? Haslund investigates the multiple meanings of masks for people living in Tainan, Taiwan. Over the course of three days she walks the streets wearing a white lab coat and porcelain clown’s nose. She approaches people on the streets and knocks on the doors of local homes, shops and companies. Using signs with Mandarin on one side and English on the other, she asks them all questions like “Hello, do you have a mask?” and “Is it OK if we film you wearing your mask?”. The people who agree are invited to pose in front of the camera with Haslund. In Taiwan, the role of masks is in constant flux. They are used for decoration and as costumes, as a safeguard against disease and air pollution - or as masking in a political context. In the wake of the violent clashes between the police and protestors in Hong Kong that year, wearing masks during demonstrations was banned throughout the region. The variety of masks in the work thus reflects the complex of cultural, health and ideological issues that play out at street level on a daily basis.

Full video on request, e-mail molly@mollyhaslund.com

The porcelain masks were produced during the first part of the workshop UN / MASKED together with students from Tainan National University of the Arts.

During the second part of the workshop UN / MASKED, Haslund developed in collaboration with the students, the project and concept UN / MASKED Archive.
This project was exhibited in the back of the exhibition, consisting of a laptop and a printer. During the exhibition, visitors to the gallery were asked to find pictures of masks online related to the demonstrations in Hong Kong, and print them out to be display on the gallery walls. By the end of the exhibition, the white walls werecovered with A4 prints of masks testifying to the seriousness of the situation, and to the protest movement as a creative force.

The porcelain clown noses were produced by Haslund herself at Chin Chin Pottery, where she had a workshop space during her stay.

The costumes were sewn by a local tailor. Haslund learned the embroidery techniques which decorate the coat during a week's intensive training at Golden Glory Embroidery in Taiwan.

Thanks to Absolute Space for the Arts. Exhibition and residency was supported by the Statens Kunstfond and the Academy Council's travel grant 2018. Absolute Art Space is supported by the National Culture and Arts Foundation, Cultural Affairs Bureau of Tainan City.

Excerpts from the Clown Wall performance text 

I’m the one who lives upstairs, in a room just like this. It covers the area running from right here, to the gallery reception, on to the glass front and the entrance door facing the street.
The yellow cross is where I sleep. Opposite the inbuilt gallery bookcase I do my washing up.
. . . . . 
Is it OK to write “I”?
Should I pretend it’s someone else’s writing?
And the one who is shouting. Is it you who sucks my blood?
Should I suggest sign-language?
Do you actually prefer art that could be a selfie-back ground, or do you prefer art that you can spend time with? Or is it the art that makes you relax and reminds you of yoga that you prefer?
Just examples. I do know that there are more to choose from. Just curious.
Is Gucci your thing? If we think of art as fashion, are we really ready for the coming season? How’s that?
. . . . .
My grandmother never went on protests. She was so touched when she saw the crowds of people gather for the same cause, that she cried and cried. If she had thought about it more she could have worn a mask, and joined in. I’m just the same. But here in Tainan I did it, in September.
…….
In the beginning I collected mango stones, but the season ended, so I stopped. I also collect what I see; looking right through the facades when a construction worker is taking a nap under a house he just began demolishing. Children running around in their grandparents’ store. The shoemaker watching television. Kitchens being cleaned up in the middle of the pavement, and the hair-dresser smoking nearby. That everything is transparent.
The heat makes all this possible.
. . . . 
Wearing porcelain on your face is a paradox. It makes it easier for your enemy to target you, hit you, smash your face and rip your skin. Therefore, you must walk around carefully, and pay attention to where you are, whom you talk to, and what you aim for. Expect that those you meet will treat you extra carefully. We believe they will, but we don't expect anything.
Porcelain clown noses increase the sense of smell and make everyone find their way. I promise.
. . . . 
I would like to go for a walk with you.
Would you come?
If all of you put on a mask, we can take a walk around the block.
Clown noses are tiny masks.
If all of you pick a mask.
If each of you put on a mask, then we’re off.

Molly Haslund, Tainan, Taiwan 2019

List of works exhibited

Hello, Do you Have a Mask?, 2019
Video, 55 minutter.

Clown Wall, 2019
20 minutters performance.

Clown Wall (installation), 2019
Grå væg med udskåret maske (variabel størrelse), performance manuskript, 13 skilte à 20 x 12 centimeter. Papir, tekst, spisepinde.

Clown’s costume and one clown nose, 2019
Str. 34-38/small. Hvid bomuld og broderi, klovnenæse i porcelæn. Sko, str. 38, hvid bomuld og broderi. Udstillet på tøjstativ. 

Clown noses (Heavy Porcelain), 2019
13 stk. Varierende dimensioner. Porcelæn og elastikbånd. 

Porcelain Clouds, 2019
Gulvværk. Skyer malet med flydende porcelæn direkte på gulvet. 

Moody Mobile Crowd, 2019
Dragefrugt printet på papirhåndklæder, bøjler, strømpeophæng. 

Umbrella Exersice No. 1, 2019
Nylon, metal, plastik, porcelænsler. 

Totalinstallationen bestod desuden af diverse interiør, værktøjer og beklædningsdele. 

Workshops held during the residency

UN/ MASKED Masks (resultat af workshop)
Forskellige masker lavet af porcelæn og elastikbånd. 

UN/ MASKED Archive (workshopkoncept)
Printer, bærbar computer, A4 print af masker. Kollektive værker af UN/ Masked Archive.

Photographer Brian LIN

China Daily News Taiwan, preview of Clown Wall at Absolute Art Space (in Chinese)
https://www.cdns.com.tw/articles/79847

__________________________________________

展覽日期｜11/30 Sat. - 1/5 Sun.

開幕茶會｜11/30 Sat. 15:00

開幕演出｜11/30 Sat. 15:30

開幕座談｜11/30 Sat. 16:30

與談人｜紀紐約、余政達

Molly Haslund 是一名居住於哥本哈根的丹麥藝術家。自2019年9月15日起，她展開了於絕對空間為期三個月的進駐。這些日子以來，她主要致力於創發道具與服裝，打造一小丑的角色與形象——一個正在發展中、目前由面具所佔據的他我。

駐村期間，她也花了一週於府城光彩繡莊學習傳統刺繡工法，並於青青土氣使用瓷土實驗燒製完好的小丑鼻子；同時，她以於自身在絕對空間居住與工作之房間內的傢俱，以及公共空間與批發商場可見可尋之物件作為靈感，完成裝置。

　兩次由她與絕對空間主辦的工作坊中，和參與學員共同合作開展的發想與成果，也將於展覽中呈現；另外，她將首次放映與在地居民及「小丑」一同於台南社區鄰里間進行三天拍攝的錄像作品——《你好，請問你有面具嗎？》。

【Molly Haslund簡介】

Molly Haslund 先後於丹麥皇家藝術學院、格拉斯哥藝術學院取得碩士學位。2005年畢業後，便持續從事行為、雕塑、社會介入以及以行動為基礎的創作，並於國內外各地，包括丹麥、格拉斯哥、倫敦、柏林、慕尼黑、紐約、費城、京都等地進行展演。

Haslund 的創作介於雕塑與行為藝術之間，結合流行文化、表演藝術、文學以及音樂等元素，開創出多面向的藝術實踐。透過應用不同的策略，Haslund 的作品探討想法、身分認同以及社會階層如何密切地與身體姿勢動作、儀式以及環境周遭的各種設計與布局安排產生關係，並持續進行協商。在她的行為表演中，偶爾也見其結合文字與簡短的敘事，不時帶著詼諧幽默的轉折。

因著她對於身體物質性與歷史、社會環境以及現況之間的關係的興趣，她的作品鮮少以單一框架重複展演方式，通常會在當地現地創作，或者與特定的脈絡產生對話，將作品根據新的場域的條件進行調整。

Molly Haslund 創作論述節錄】

歡迎來到我的實驗室。歡迎走進我的白牆。我就住在樓上，一個跟這裡一樣的房間。房間從櫃檯這裡延伸至玻璃前門的這塊區域，它的門面向巷弄。

　在臉上穿戴陶瓷面具是一件矛盾的事。這讓你的敵人更容易瞄準你、攻擊你、砸毀你的臉、並撕裂你的肌膚。因此，你務必要小心行走，留意你身在何處、和誰說話、意欲何事。你所遇之人皆會如預期般地格外緊戒。我們如此相信著，但並無完全的把握。我們不知道任何人是誰。

主辦單位：絕對空間

營運贊助：國藝會

展覽贊助：丹麥藝術基金會、國藝會、台南市政府文化局